Storyboard 1
Scene 1, God Sends Famine In Land Of Bethlehem





Placement: Ext., Stock Footage
Props: None
Wardrobe: None
Camera Shots: Animation or stock footage
Music: Rugged, sad, folkish, unique, cinematic
Sound: None
Lighting: Outdoor lighting
Editor: Stock Footage
Transition: Cut to the next scene
Scene 2, Elimelech Groans Of Losing His Crops







Placement: Ext., summer, Bethlehem, farm field, morning
Props: None
Wardrobe: White T-shirt, well-worn jeans
Makeup: messy hair, farmer look.
Camera Shots: Aeriel view of the farm, come in zoom to the actor, zoom to the field after the last shot,
Sound: I mic. on body, boom op.
Lighting: Outdoor lighting
Editor:
Transition: Cut to the next scene
Music: Rugged, emotional, folkish
Scene 3, Family Packing To Leave Bethlehem















Placement: Int./Ext., summer, Bethlehem, farmhouse, bedroom, driveway, morning
Props: 4 Suitcases, 2 backpacks bags
Wardrobe: Well-dressed causal dress for Naomi, a button-down shirt, shorts, and shirts
Makeup: full makeup for Naomi and concealers for men and boys.
Camera Shots: indoor bedroom shots, conversational, driveway walk-out
Sound: 2 mic, boom op.
Lighting: indoor, outdoor lighting
Editor:
Transition: Cut to the next scene
Music: emotional, sad, inspirational, playful, folkish
Scene 4, Family Reaches Moab House




Placement: Ext., summer, Moab house, driveway, evening
Props: 4 Suitcases, 2 duffle bags
Wardrobe: Same outfits as Scene 3
Camera Shots: outdoor driveway walk to house
Sound: no mics
Lighting: outdoor evening lighting
Editor: need sun up to sun down time span shot to show time transition. The editor adds car door sounds.
Transition: Dissolve to the next scene
Music: emotional, melancholy, tired, folkish
Scene 5, Family Settles Into Moab House










Placement: Int., summer, Moab house, living room, bedroom, hallways, kitchen, evening
Props: same bags
Wardrobe: same outfits
Camera Shots: walking around the house with the kids and dissolve to the living room
Sound: 3 mic
Lighting: indoor evening lighting
Editor:
Transition: Cut to the next scene
Music: emotional, melancholy, tired, folkish
Scene 6, Graveyard Elimelech Dies











Placement: Ext., summer, Graveyard, afternoon
Props: flowers
Wardrobe: Well dressed black, gray, white
Camera Shots: aerial shot of the grave, above shot of them standing by the grave, close-up conversational, mid shots, full shots, long and aerial shots depending on background.
Sound: boom op, 3 mic
Lighting: outdoor lighting
Editor:
Transition: Cut to the next scene
Music: emotional, sad, depressed, folkish
Scene 7, Chilon Meets Orpah

























Placement: Int.,/ Ext. Summer, Saint Paul house, afternoon
Props: lemons, lemonade, pitcher, 2 glasses, towels, toolbox
Wardrobe: Well-dressed woman in a dress and a man well-groomed in a button-down shirt/polo shirt and jeans
Camera Shots: mid shots, close-up shots, pan-out shots
Sound: 2 mic, boom
Lighting: Indoor lighting
Editor:
Transition: Dissolve to the next scene
Music: romantic
Scene 8 Montage Chilon & Orpah


















Placement: Int./ Ext. summer, coffee shop, restaurant, waffle shop, ravine woods, church, afternoon
Props: engagement ring, wedding dress, suit, food/table setting, flowers, and boutonniere-traders joe, little box
Wardrobe: Well-dressed woman in a dress and a man well-groomed in a button-down shirt and jeans/pants.
Camera Shots: mid shots, close-up shots, pan-out shots, aerial shots of town as they walk, ravine drone fly through.
Sound: no mic,
Lighting: Indoor/outdoor lighting
Editor:
Transition: Dissolve each scene in a montage and cut to the next scene.
Music: romantic, cinematic, happy
Scene 9 Mahlon Working At His Resturant



















Placement: Int. summer, restaurant, late evening
Props: water, glasses, dinner, plates--use whatever they have, bring food.
Wardrobe: Well-dressed woman in a dress and a well-groomed man in a button-down shirt and pants.
Camera Shots: mid shots, close-up shots, pan-out shots
Sound: 2 mic, boom
Lighting: Indoor mood lighting
Editor:
Transition: cut to the next scene.
Music: romantic, cinematic, playful, happy
Scene 10 Montage Mahlon and Ruth

























Placement: Ext./Int. summer, ice cream shop, bowling, Minnehaha Falls, riverwalk, church, afternoons, mornings
Props: ring, wedding dress, suit, ice cream cones, pink rose, wedding flowers, different outfits
Wardrobe: Well-dressed woman in a dress and a man well-groomed in a button-down shirt and pants, summer clothes.
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of the falls and river, church, town
Sound: silent, no mic
Lighting: outdoor/indoor lighting
Editor:
Transition: cut to the next scene.
Music: romantic, cinematic, playful, happy, folkish
Scene 11 Noami's Sons Died













Placement: Ext./Int. summer, Moab House, living room, bedroom, driveway
Props: bag of flowers
Wardrobe: Well-dressed black dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of house and driveway
Sound: 3 mics, boom
Lighting: outdoor/indoor lighting
Editor:
Transition: dissolve to the next scene.
Music: sad, depressing, melancholy, cinematic, folkish
Scene 12 The Women At The Graveyard, Mourning











Placement: Ext. summer, graveyard
Props: bag of flowers
Wardrobe: Well-dressed black dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of graveyard in and out
Sound: 3 mic, 1 boom
Lighting: outdoor lighting
Editor:
Transition: cut to the next scene.
Music: sad, depressing, melancholy, cinematic, folkish
Scene 13 Ruth & Orpah Make Dinner For Naomi








Placement: Int. summer, Moab House kitchen, hallway
Props: Kitchenware, serving tray, food, glasses, wine
Wardrobe: Well-dressed dresses
Camera Shots: mid shots, close-ups, pan-out shots,
Sound: 2 mic, boom
Lighting: indoor lighting
Editor:
Transition: dissolve to the next scene.
Music: melancholy, folkish
Scene 14 Ruth Taking Dinner To Naomi's Room








Placement: Int. summer, Moab House bedroom, hallway
Props: serving tray, food, a glass of wine
Wardrobe: Ruth well-dressed, Naomi is in loungewear, no makeup
Camera Shots: mid shots, close-ups, pan-out shots,
Sound: 2 mic, boom
Lighting: indoor lighting
Editor:
Transition: dissolve to the next scene.
Music: sad, depressing, melancholy, folkish
Scene 15 Ruth And Orpah In The Kitchen











Placement: Int. summer, Moab House kitchen, hallway
Props: Kitchenware, serving tray, food, glasses, plates, wine
Wardrobe: Well-dressed women in casual dresses
Camera Shots: mid shots, close-ups, pan-out shots,
Sound: 2 mic, boom
Lighting: indoor lighting
Editor:
Transition: dissolve to the next scene.
Music: comforting, melancholy, chill, folkish
Scene 16 Ruth And Orpah Talk To Naomi








Placement: Int. summer, Moab House bedroom
Props: none
Wardrobe: Orpah & Ruth are well-dressed in casual dresses, Naomi in loungewear, no makeup
Camera Shots: mid shots, close-ups, pan-out shots,
Sound: 3 mic, 1 boom
Lighting: indoor lighting
Editor:
Transition: cut to the next scene.
Music: sad, depressing, melancholy, folkish
Scene 17 Women Pack To Leave Moab






Placement: Int./ Ext. summer, Moab House bedrooms, front door
Props: clothes, rolling suitcases
Wardrobe: All well-dressed in casual dresses
Camera Shots: mid shots, close-ups, pan-out shots,
Sound: 3 mic, boom
Lighting: indoor/outdoor lighting
Editor:
Transition: Dissolve to the next scene.
Music: chill, folkish
Scene 18 Orpah Leaves





















Placement: Int./Ext. summer, Moab House, front door
Props: rolling suitcases
Wardrobe: All well-dressed in casual dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shot of Orpah walking away
Sound:3 mic, boom
Lighting: outdoor lighting
Editor:
Transition: cut to the next scene.
Music: chill, folkish
Scene 19 Ruth Stays With Naomi And Go To Bethlehem Town






















Placement: Ext. summer, Bethlehem, small town
Props: handbags
Wardrobe: All well-dressed in casual dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of the town
Sound: 4 mic, boom
Lighting: outdoor lighting
Editor:
Transition: cut to the next scene.
Music: cinematic, folkish, inspiring
Scene 20 Noami And Ruth Arrive At Her Old House

























Placement: Ext./Int. summer, Bethlehem House, bedroom, living room, kitchen, hallway, late afternoon
Props: rolling suitcases; sheets onto furniture
Wardrobe: All well-dressed in casual dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of the house
Sound:
Lighting: outdoor/indoor lighting
Editor:
Transition: Dissolve to the next scene.
Music: chill, folkish
Scene 21 Ruth Talks To Naomi About Working












Placement: Int. summer, Bethlehem House living room, hallway
Props: none
Wardrobe: well-dressed casual dresses
Camera Shots: mid shots, close-ups, pan-out shots,
Sound:
Lighting: indoor lighting
Editor:
Transition: cut to the next scene.
Music: inspiring, happy, motivational, folkish
Scene 22 Ruth Scans The Nearby Farms







Placement: Ext. summer, Bethlehem farm fields
Props: none
Wardrobe: well-dressed dress
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of fields
Sound:
Lighting: outdoor lighting
Editor:
Transition: cut to the next scene.
Music: inspiring, happy, motivational, folkish
Scene 23 Ruth Meets Boaz At His Farm

























Placement: Ext. summer, Bethlehem Boaz wheat/barley field
Props: wicker baskets
Wardrobe: working clothes, jeans and T-shirts, long dresses
Camera Shots: mid shots, close-ups, pan-out shots, aerial shots of fields
Sound:
Lighting: outdoor lighting
Editor:
Transition: Dissolve to the next scene.
Music: happy, motivational, folkish, upbeat